Jacquie Presents: Sense & Sensibility, the Screenplay and Diaries by Emma Thompson

 Jacquie's Email  Hello, Most Amiable of Literary Ladies!!! I endeavor to remind you of the next meeting of our dear Literature Club of Hastings-on-Hudson but a few days earlier than I have done in the past, to give you the time, if you have the inclination and find it agreeable with your streaming service, to watch a film I hold in the highest regard, Sense and Sensibility, the making of which is the basis of the presentation which will be given by yours truly a few days hence: Sense & Sensibility: The Screenplay and Diaries by Emma Thompson. I am hoping that the enjoyment of my presentation will not be incumbent on your having recently viewed the film, but I suggest that it will certainly add to it, affording you recent memory of the story and scenes referred to in the diaries. I must say, it is the most pleasing of films, and one I have been delighted in viewing over and over again in recent days.

We will be gathering for what we can only anticipate will be a sumptuously displayed not lunch at Gita's gracious home, with its most genial view. We will meet at the usual hour of twelve noon. Our president, Joanna, will assuredly seek our attention at 1 PM for our meeting to commence.

I sincerely look forward to being in your gentle company next week.

Now, my dear madams, I must release you, x Jacquie

Link to the film on Amazon Prime Video

Christine's Minutes Eleven members, one associate, and one daughter/honorary member, Gita’s daughter Ilsa, met on October 23 in Gita’s lovely sunroom/treehouse. Ilsa flew in from Paris especially to be with us, and of course to make sure that Gita’s 90th birthday was celebrated in a most literary manner. Which it was, with a pumpkin cheesecake and cookies and fruit. The highlight of our cannot-be-called-a-not-lunch were frittatas à la the Barefoot Contessa.

Assorted recommendations for books and movies were shared before the official opening. These included Alexei Navalny’s diaries, in The New Yorker; The Apprentice, a movie about Trump’s early grooming by Roy Cohn; Eligible by Curtis Sittenfeld, based on Austen’s Pride and Prejudice; Longbourn by Jo Barker, telling the Pride and Prejudice story from the viewpoint of the servants; Bollywood’s Bride and Prejudice, and the 1994 version of Persuasion with Ciarán Hinds.

Joanna rang the bell mere minutes after 1 pm, and thanked our most gracious hostess Gita, as well as her daughter. Laura read the minutes of the October 9th meeting.

And then it was time to go to the movies. Or should I say, to make the movie? Today we heard from Jacquie about Sense and Sensibility: The Diaries by Emma Thompson.

Sense and Sensibility was published anonymously in 1811, though Jane Austen wrote it in 1795, when she was twenty years old. It is a 300-page novel written in the archaic diction of the 18th century, yet it is also funny, romantic, familial and…as we discover, perfect material for a late twentieth century movie.

Having established these important facts, Jacquie gave us some background on the inimitable Emma Thompson. She was born in London in 1959 to two actors. She did her A-levels in English, French and Latin, and went to Newnham College at Cambridge. There she became the first female member of the Footlights, where her nickname was Emma Talented. In the early 80s she was on television, and then became noticed for her role in Me and My Girl in the West End. In 1987 she played the female lead opposite Kenneth Branagh in the BBC series, Fortunes of War. They married in 1989.

Throughout the late 80s and 90s, Emma appeared in many excellent movies and films (often with Branagh), including Look Back in Anger, The Tall Guy, Henry V, Midsummer’s Night’s Dream, King Lear, Impromptu and Dead Again.

It was in 1990 that Lindsay Doran, an American producer, approached Emma about writing a screenplay for Sense and Sensibility, having seen her performance in Dead Again.

For the next five years, Emma worked diligently on the screenplay while appearing in several more remarkable films, including Howard’s End, Peter’s Friends, Much Ado About Nothing, Remains of the Day, In the Name of the Father, Junior, and Carrington.

Then, it was time to find a director. Doran saw Ang Lee’s The Wedding Banquet and his Eat Drink Man Woman, and decided he was the one to bring Sense and Sensibility to the screen.

His first directorial act was to ask Emma to play the role of Elinor Dashwood.

A little gossip which even Jane Austen would regard as essential to a full understanding: Emma and Kenneth’s relationship ended in 1994. They held on for a bit, then announced the split in 1995. This emotional trauma forced Emma to focus intently on the movie production. The good news – of which Austen would approve – was that while making the film she met Greg Wise, who played Willoughby, and they fell in love. They married in 2003.

At last we get to the Diaries. Well, first a quick plot summary, which I will not summarize here.

Members then read aptly chosen selections.

We heard about Ang Lee’s directing style, and how he began each day with meditation and exercises. After one meeting, Emma describes Hugh Grant breezing in and looking “repellently gorgeous.” We eavesdrop on her ‘girl talk’ with Kate Winslet and hear about the novelization problem.

Meanwhile, the paparazzi keep showing up for that gorgeous Hugh Grant. Whenever they shoot in a historic house, there would always be a cadre of National Trust volunteers in the room, making sure nothing was damaged and that no more than 11 people were in the room.

The diaries describe the eighteen takes they shot for the Elinor and Lucy Steele scene, when Edward Ferrars arrives on the scene. She describes Alan Rickman as “splendid” in uniform (and I agree).

One favorite exchange is this, between Kate Winslet (who did all her own stunts) and Alan Rickman:

Kate: My knickers have gone up my arse.

Alan: Feminine mystique strikes again.

We also hear about spots on the face, incontinence, lousy modern hotels and the fact that camphor is good for the ‘staggers.’

It must be pointed out that while we read these entertaining and instructive entries, we were accompanied by the staccato obbligato of a woodpecker just outside our aerie.

The filming and the diaries end on June 9th, and real-life kicks in.

But wait, there was more. Jacquie played for us Emma Thompson’s acceptance speech from the Golden Globes, in which she spoke just as Jane Austen would have had one of her characters speak. And going from the subline to the ridiculous, we watched Emma Thompson and Hugh Grant riff on each other on the Graham Norton show.

It is a truth universally acknowledged that there are few better ways to spend an afternoon than at a Literature Club meeting, high in the trees, accompanied by avian percussion.

Respectfully submitted,
Christine Lehner, Recording Secretary

Joanna Presents the Mitford Sisters

Jacquie's Email: Hello Literary Ladies! Just a reminder that we will be meeting this Wednesday, October 9th in Sharon's gracious home for this coming week's meeting of the Literature Club of Hastings-on-Hudson. Not lunch will be served beginning at noon, and Joanna will ring the bell at 1pm to begin our meeting, after which she will give her presentation on The Mitfords: Six Sisters and Thousands of Letters.

Six accomplished sisters! And only two were avowed Nazis. A parent could only dream!

As we delve more deeply into this year's theme of “Letters, Journals, Diaries,” I think it will be interesting to explore the idea of how technology will affect the work of historians and fans alike in the future in their understanding of individual thinkers and artists. Do members of the younger generation still keep written diaries or journals? Do they put pen to paper to write a letter or even a note? Letters and even birthday wishes to my own three sisters are all in a cloud somewhere and therefore completely lost once I forget my email password. And though, unlike the Mitfords, these will not be of interest to anyone going forward, wouldn't you just love to read Kamala's texts to her sister?

I look forward to seeing you all on Wednesday! x Jacquie

Laura's Minutes Members gathered at Sharon DeLevie’s home for a terrific not-lunch, climaxed by warm scones, to set the proper British mood for the presentation to follow.

Minutes were read from the meeting of September 25, and the treasurer's report was given. The first of our booklet corrections had Laura passing out little cards to be scotch taped into the booklet, so we really do have a February 26 meeting with Constance presenting at Carla’s home.

Joanna’s presentation is titled: “The Mitfords: Six Sisters and Thousands of Letters.” She began by introducing the family, mentioning the land, connections, and the fact there was very little money. Joanna first found the Mitfords during the pandemic, by reading two novels by Nancy Mitford. The novels explore family stories of a big, bustling family like and unlike the actual Mitford clan.

The father, David, did not believe in education for the girls, so they were educated by governesses and tutors at the various homes they lived in. The one brother, Tom, did go to boarding school, and hence is not much on the scene.

A wonderful part of Joanna’s presentation was the guide to the six sisters given to each member, so we could get to know them in a brief fashion, before we started reading their letters to one another.

Nancy, the writer, spent much of her adult life in France. During the war, she flirted with socialism and fascism, but then became a staunch Gaullist for the rest of her days.

Pamela, the country girl, married a physicist, cooked splendidly, and produced no children. After living briefly with two women in Switzerland, she returned to England and became a poultry expert.

Diana, the beauty, admired Adolf Hitler, and served time in prison during WWII for it, spending the rest of the war under house arrest. She was married to Carlos Mosely, the fascist leader. After the war, they lived in Ireland, finally settling in France.

Unity, so smitten with Hitler and the Nazis, moved to Germany. An unsuccessful attempt at suicide when war was declared between Germany and Britain led to her profound impairment. Her mother cared for her until she died in 1948.

Jessica became a socialist and eloped to Spain after the war there. Her first husband died in WWII. She married an American and moved to the US, where she became an active member of the Communist Party. Her writing proved successful, many of us remembering her book length investigation titled The American Way of Death.

Deborah, the youngest, remained firmly apolitical. She married into nobility, with a big family estate. She made it her business to save and restore the house and grounds, and put it on solid financial grounds. Gift shops, promotion, charging admission saved the home and were all the result of Deborah’s excellent business sense.

So the guide Joanna gave us had even a symbol for each sister, a pen for Nancy, a swastika for Unity, etc. It was so handy to consult as we heard various letters. And these letters were the intimate close missives of women who lived apart but remained close.

My favorite quote is from Deborah’s letter to the imprisoned Diana. Deborah writes just before she is to marry. “I do so wish you weren’t in prison. It will be sad not having you to go shopping with, only we are so poor I don’t have much of a trousseau…”

Deborah has two more quotes that convey some of the dottiness and charm we enjoyed at the presentation. Again, Deborah to Diana: “I expect we shall be terrifically poor, but I think how nice it will be…”

Deborah writes: “I was among the girls called up to work at some horrid job for 48 hours a week, but now I’m in pig (note, pregnant) I don’t have to do it and you know how I hate work, so it's very lucky.”

And Deborah writes to Jessica (the socialist): “Well, dear, I’ve smacked my ovary and taken it to Madame Bovary and the result is I’m in pig.”

It was a delightful afternoon!

Respectfully submitted, Laura Rice
(substituting for Christine)